I like this book. Ok so it’s a bit too Utopian, and arguably sappy, but it’s not focused on a slut or naive innocent who can’t say a sentence without the word “virtue” in it.
Finally, women are active and dominant. yay for early feminism! There are parts that seem to yield somewhat to the view that a woman will use power badly, but the nearest man is characterized worse for not knowing how to correct her.
Previously, it seems that the works we have read equate female virtue with weakness and strength with vice, but Millenium hall presents several strong, virtuous female characters. Power is separate from moral values – a tool to be used by any who can gain it. Virtue is a matter of individual character: a quality over which one has full control and which is shown in one’s behaviour toward self and others, not limited to sexual purity that is in constant danger.
Millenium Hall also attributes intelligence and self sufficiency to women in a socially respectable way (being self-sufficient does not require theft and prostitution as with Moll Flanders). Millenium Hall is inhabited mostly by women, it seems to be owned by the women, and the community is certainly ruled by women. As the poor and disabled of the ommunity are visited, they express the grace and generosity of ‘the ladies’, making no mention of men with regard to their good fortune.
Millenium Hall also is much more descriptive than previous texts in constructing feminine vice and virtue. The virtuous women are not merely agreeable (to men), nor are they all wondrously beautiful, just pleasant. Virtue consists of intelligence, a desire to learn, generosity, compassion, and a sense of true friendship, often accompanied by early maturity in girls. There is here a prescription for femininity, as the female villian is described through a list of unfeminine qualities: lack of feminine charms, austere appearance, lack of respect and kindness toward her husband, lack of charity, vanity, jealousy, undue use of power, competition with other females, manipulation . . . .
Some of the above are similar to the characterization of women in the amatory fiction, but this approaches femininity from a woman’s perspective, resisting the insinuation that a male is needed through which to identify a woman.